PEDAGOGY – Negin Zomorodi

PEDAGOGY

“Music is an intellectual bridge between cultures, histories, and rigorous structural forms.”

I. Higher Education Course Catalog

Specialized English-medium modules aligned with international conservatory benchmarks.

Department of Composition & Orchestration

Course 1: Advanced String Instrumentation & Orchestration
Level: Undergraduate Elective / Graduate Seminar
Core Focus: Voicing, extended techniques, and recording logistics via Prague Metropolitan Orchestra sessions.

Course 2: Contemporary Music Analysis & Musical Form
Level: Advanced Undergraduate Core / Graduate Level
Core Focus: Pitch-class set theory, formal modal systems, graphic notation, and post-tonal score analysis.

Course 3: Intercultural Piano Improvisation & Fusion Practice
Level: Performance Studio / Practical Workshop
Core Focus: Modal modulation, rhythmic ostinatos, cross-cultural fusion arranging, and live improvisation.

Department of Music History & Scenography

Course 4: Renaissance & Baroque Music History: Foundations & Media
Level: Undergraduate Core Requirement
Core Focus: Early notation, polyphonic score reading, and digital-era research methodology.
Course 5: Interdisciplinary Scenography & Music-Theatre Composition
Level: Master’s Seminar / Special Research Module
Core Focus: Spatial design, scenic blocking, and libretto analysis mapped by an original 110-page text.

Department of Keyboard Studies & Pedagogy

Course 6: Advanced Keyboard Harmony & Analytical Theory
Level: Undergraduate Core / Piano Major Requirement
Core Focus: Chromatic harmony, voice leading, and real-time keyboard analysis aligned with RCM standards.
Course 7: Piano Pedagogy & International Curriculum Design
Level: Undergraduate / Graduate Pedagogy Track
Core Focus: Strategic mapping of RCM (Levels 1–8) / ABRSM systems and creative arts administration.
Course 8: Intercultural Musicology: Persian Systems & Flamenco Synthesis
Level: Advanced Undergraduate Elective / Graduate Seminar
Core Focus: Comparative modal grammar, microtonal transcription, and the practice-led PolGāh framework.

II. Digital Lecture Series & Open-Access Curricula

An interactive video repository bridging musicological theory with practical creative application.

Module A — Core Music History: Renaissance & Baroque Systems
- Renaissance Analysis (Parts 1–12): Western polyphony, species counterpoint, and mensural notation.
- Baroque Masterclasses (Parts 1–20): Fugal mechanics, figured bass realization, and rhetorical gestures.
Module B — Advanced Instrumentation & Orchestration Labs
- Acoustic Mechanics (Parts 1–20): Instrument design, register timbres, and woodwind/brass/percussion properties.
- Applied Orchestration (Parts 1–6): Vertical voicing, string bowing logistics, and publication-ready layouts.

III. Private Keyboard Studio Framework

Selective studio practice integrating technical precision with creative intellectual autonomy.

The Classical Conservatoire Method:
Systematic progression through tactile keyboard literacy, sight-reading, and chromatic harmony utilizing the Royal Conservatory of Music (RCM) Blueprint (Levels 1–8).
World & Folk Music Architecture Track:
Specialized performance track analyzing non-Western structures, microtonal tunings, and rhythmic ostinatos across Persian Dastgāh, Celtic, Spanish, and East Asian traditions.

• Advanced Improvisation & Composition Synthesis:
Practice-led training in real-time keyboard fluency, modal modulation, live performance architecture, and thematic development.

History of music Renaissance